This thesis presents the development of four different remote-sensing instruments dedicated to atmospheric research and their use in field campaigns between 2008 and 2012. The instruments are based on uv-visible spectrometers and installed respectively on a scientific aircraft, ultralight aircraft, and cars. One of the instruments is targeted to operate from an Unmanned Aerial Vehicle (UAV). The Differential Optical Absorption Spectroscopy (DOAS) technique is used to quantify the molecular absorption in the spectra of scattered sky light. These absorptions are then interpreted by modeling the transfer of radiation in the atmosphere. Airborne platforms enable new measurement geometries, leading for instance to a high sensitivity in the free troposphere. On the other hand, a miniaturization effort is required, especially for the instruments onboard ultralight aircraft and UAV. Reaching the limited size, weight, and power consumption is possible through the use of compact spectrometers and computers, together with custom built electronics circuits and housings. A common target of the different experiments is to quantify tropospheric nitrogen dioxide (NO2). Regarding this trace gas, the developed instruments provide complementary findings, such as the vertical distribution in the pristine Arctic or the levels in the exhaust plumes of large cities like Riyadh. Car-borne measurements in North-West Europe reveal the horizontal gradients of surface NO2 at various scales. The UAV payload is intended to produce high spatial resolution maps of tropospheric NO2 columns.
Table des matières
Véronique DOMINGUEZ, Quelle renaissance pour le théâtre médiéval ?
Historiographie et mise en scène .................................................................. 5
PARTIE I
PERMANENCES DU THÉÂTRE MÉDIÉVAL : RITES ET TEXTES
Peter COCOZZELLA, Ausiàs March's Text of Subjectivity and Francesc
Moner’s Auto de Amores of the Early Spanish Renaissance ................ 19
Óscar Armando GARCÍA – La sentencia dada en vista y reparada
en revista : répercussion d’un « Procès de Paradis » médiéval
en Amérique .......................................................................................... 43
Carla PERRONE CAPANO, Regards sur la mise en scène
du théâtre médiéval religieux dans l’Italie du XXe siècle ....................... 53
PARTIE II
REPRÉSENTATIONS : UN THÉÂTRE UNIVERSITAIRE, UN THÉÂTRE D’AMATEURS ?
Victor I. SCHERB, Beginner’s Luck?
A First-Time Director Tackles a York Play .......................................... 87
Roberta MULLINI, Staging Everyman in 2004 Urbino:
A Classroom Experiment ....................................................................... 97
Pamela M. KING, Twentieth-Century Medieval-Drama Revivals
and the Universities .............................................................................. 111
PARTIE III
RÉCRITURES DU THÉÂTRE MÉDIÉVAL : DÉTOURS ET RÉCEPTIONS
Laurent BROCHE, Détours médiévaux dans le théâtre français
de la Seconde Guerre mondiale : étude de quelques cas
(Luchaire, Claudel, Guitry) ................................................................. 131
Tatiana VICTOROFF, Deux réécritures du mystère au XXe siècle :
L’Action diabolique, « néo-mystère » d’Alexis Remizov
et le Mystère de Saint Bernard de Menthon d’Henri Ghéon ............... 163
240 TABLE DES MATIÈRES
Véronique DOMINGUEZ, Les Théophiliens et le Mystère de la Passion :
une réflexion en acte sur l’adaptation du théâtre ancien (1936-1939 ;
1950-1954) ........................................................................................... 177
PARTIE IV
LE THÉÂTRE MÉDIÉVAL, CHANCE DE LA SCÈNE CONTEMPORAINE ?
Robert POTTER, The Brechtian Dimensions of Medieval Drama ............. 203
Marla CARLSON, Whipping up Community: Reworking the Medieval
Passion Play, from Ron Athey to Mel Gibson ..................................... 219
Table des matières .................................................................................... 239