This workshop questioned the reliability of pottery as crisis indicator within the archaeological data set. More particularly, following the perspective of archaeological and anthropological research that assesses pottery technology as a social product, there is an interest in addressing the social and cultural aspects of technological change... Lire la suite
This volume comprises the proceedings of a workshop with the same title which took place in February 2016 at UCLouvain (Louvain-la-Neuve, Belgium). It was organised within the framework of the ARC13/18-049 (concerted research action) "A World in Crisis?". This workshop questioned the reliability of pottery as crisis indicator within the archaeological data set. More particularly, following the perspective of archaeological and anthropological research that assesses pottery technology as a social product, there is an interest in addressing the social and cultural aspects of technological change in pottery production in the specifi c context of crisis and period of trouble. The main goal of our examination was to detect whether and how technological choices or changes observed in the archaeological ceramic record may refl ect periods of transition, disruption, crisis or change pertaining to social, political, economic and environmental conditions. We proposed to address these questions by bringing together experts in charge of the study of pottery at diff erent Bronze Age Mediterranean sites in order to discuss, confront and contextualise their respective assemblages and associated contexts.
This two-day workshop emphasised that the majority of our case studies allow the identifi cation of continuous changes in pottery production systems, i.e. changes that do not evidence any clear cessation of transmission in potting practices. These are interpreted as indicators of periods of transition, of socio-political and economic transformation, rather than moments of crisis or disruption. On the contrary, discontinuous changes in pottery production systems have been observed in those contexts where new paste recipes and/or innovative forming techniques were introduced by foreigners and adopted by local people. Finally, the contributions also highlighted that our observations needed to be replaced in a broader contextual framework, especially in the case of the Late Bronze Age (13th-12th c. BC ) Mediterranean systems' collapse. Indeed, several archaeological contexts here examined have demonstrated a relative continuity of ceramic traditions at the 13th-12th c. BC transition, while other forms of transmitted technological knowledge had abruptly stopped.
Diamantis Panagiotopoulos and Ute Günkel-Maschek
Introduction: The Power of Images and Architecture 1
Clairy Palyvou
Wall Painting and Architecture in the Aegean Bronze Age: Connections between Illusionary Space and Built Realities 9
Quentin Letesson
'Open Day Gallery' or ‘Private Collections’? An Insight on Neopalatial Wall Paintings in their Spatial Context 27
Diamantis Panagiotopoulos
Aegean Imagery and the Syntax of Viewing 63
Fritz Blakolmer
Image and Architecture: Reflections of Mural Iconography in Seal Images and Other Art Forms of Minoan Crete 83
Ute Günkel-Maschek
Spirals, Bulls, and Sacred Landscapes: The Meaningful Appearance of Pictorial Objects within their Spatial and Social Contexts 115
Jan Driessen
Chercher la femme: Identifying Minoan Gender Relations in the Built Environment 141
Maud Devolder
Labour Costs and Neopalatial Architecture: A Study of the Buildings at Klimataria-Manares and Achladia and the Palace at Gournia 165
Contributors 181