Revolving around the central concept of musical sense-making, this volume includes 31 contributions of scholars from 18 countries, which encompass semiotic musical analysis and phenomenological, hermeneutic, and/or cognitive...

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This volume invites to bridge the traditional gap between the author and the scribes, which means between the "original text" and the “copies” in order deal with more complex situations, in which the performer, the screenwriter, or the director...

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