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<Text textformat="02" language="fre">&#60;p&#62;Chants en cascade. Une acoustémologie de la résonance du lieu au Bosavi, Papouasie-Nouvelle-Guinée&#60;/p&#62;
&#60;p&#62;Representing the Poetics of Place. A conversation with Steven Feld&#60;/p&#62;
&#60;p&#62;Les mots en crue : poésie et écologie dans le bassin versant du fleuve Sénégal&#60;/p&#62;
&#60;p&#62;Les parcours chantés du raid. Expérience, composition et domestication d'un environnement lointain&#60;/p&#62;
&#60;p&#62;Un même environnement, deux interprétations écopoétiques (chez les Peuls du Mali)&#60;/p&#62;
&#60;p&#62;Acoustémologie et empreinte sonore. Faire avec et faire par les sons. Être avec et être par les sons&#60;/p&#62;
&#60;p&#62;Enchantment and non-human voices in the Sámi yoik&#60;/p&#62;
&#60;p&#62;Inquiétants acousmates. La diablerie d'Ansacq (1730)&#60;/p&#62;
&#60;p&#62;Jurntu Purlapa&#8212;Warlpiri songline for the Jurntu Fire&#60;/p&#62;
&#60;p&#62;Dreaming site (Australia)&#60;/p&#62;</Text>
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<Text language="fre">Éc(h)opoétiques : chanter, écouter, éprouver les lieux</Text>
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<Text textformat="02">&#60;p&#62;&#60;strong&#62;Éditorial &#60;/strong&#62;&#60;br /&#62;
Éc(h)opoétiques : chanter, écouter, éprouver les lieux&#60;br /&#62;
&#60;br /&#62;
&#60;strong&#62;Traduction &#60;/strong&#62;&#60;br /&#62;
Chants en cascade. Une acoustémologie de la résonance du lieu au Bosavi,&#60;br /&#62;
Papouasie&#8209;Nouvelle&#8209;Guinée&#60;br /&#62;
&#60;br /&#62;
&#60;strong&#62;Entretien &#60;/strong&#62;&#60;br /&#62;
Representing the Poetics of Place. A conversation with Steven Feld&#60;br /&#62;
&#60;br /&#62;
&#60;strong&#62;Articles&#60;/strong&#62;&#60;br /&#62;
Les mots en crue : poésie et écologie dans le bassin versant du fleuve Sénégal&#60;br /&#62;
&#60;br /&#62;
Les parcours chantés du raid. Expérience, composition et domestication d'un&#60;br /&#62;
environnement lointain&#60;br /&#62;
&#60;br /&#62;
Un même environnement, deux interprétations écopoétiques (chez les Peuls du&#60;br /&#62;
Mali)&#60;br /&#62;
&#60;br /&#62;
Acoustémologie et empreinte sonore. Faire avec et faire par les sons. Être avec&#60;br /&#62;
et être par les sons&#60;/p&#62;
&#60;p&#62;Enchantment and non-human voices in the Sámi yoik&#60;br /&#62;
&#60;br /&#62;
&#60;strong&#62;Documents&#60;/strong&#62;&#60;br /&#62;
Inquiétants acousmates . La diablerie d'Ansacq (1730)&#60;br /&#62;
&#60;br /&#62;
Jurntu Purlapa&#8212;Warlpiri songline for the Jurntu Fire Dreaming site (Australia)&#60;/p&#62;
&#60;p&#62;&#60;strong&#62;Comptes rendus&#60;/strong&#62;&#60;br /&#62;
Scaldaferri Nicola &amp; Feld Steven (eds.), 2019, When the Trees Resound.&#60;br /&#62;
Collaborative Media Research on an Italian Festival, Nota, 2019, 150 p.&#60;br /&#62;
&#60;br /&#62;
Despret Vinciane, 2019, Habiter en oiseau, Actes Sud (coll. Mondes&#60;br /&#62;
Sauvages), Arles, 208 p.&#60;br /&#62;
&#60;br /&#62;
Bertho Elara, 2019, Sorcières, tyrans, héros. Mémoires postcoloniales de résistants&#60;br /&#62;
africains, Honoré Champion, Paris, 520 p.&#60;br /&#62;
&#60;br /&#62;
Greco Luca, 2018, Dans les coulisses du genre : la fabrique de soi chez les Drag&#60;br /&#62;
Kings, Lambert&#8209;Lucas, Limoges, 172 p.&#60;br /&#62;
 &#60;/p&#62;</Text>
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<Text language="fre">Les Cahiers de littérature orale, revue rattachée au LLACAN UMR 8135 (CNRS et Inalco) est une des rares publications en langue française exclusivement consacrée aux textes transmis oralement.</Text>
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<Text language="fre">&#60;p&#62;&#60;em&#62;Les Cahiers de littérature orale&#60;/em&#62;, revue rattachée au &#60;a href="http://llacan.vjf.cnrs.fr/"&#62;LLACAN&#60;/a&#62; UMR 8135 (CNRS et &#60;a href="http://www.inalco.fr/"&#62;Inalco&#60;/a&#62;) est une des rares publications en langue française exclusivement consacrée aux textes transmis oralement.&#60;br /&#62; Chaque cahier (environ 220  pages, deux numéros ou un double par an) est articulé autour d'un thème relatif aux différentes facettes de l'oralité. Il rassemble des discussions, des articles de fond, des comptes rendus et diverses informations.&#60;br /&#62;  &#60;/p&#62;</Text>
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