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<Text textformat="02" language="eng">&#60;p&#62;This book results from the work of the Enhanced Digital Cinema (EDcine) project established by the European Commission in the context of the Networked Audio Visual line of the 6th framework of IST (Information Society and Technology).&#60;br /&#62;The worl</Text>
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<Text language="eng">This book results from the work of the Enhanced Digital Cinema (EDcine) project established by the European Commission in the context of the Networked Audio Visual line of the 6th framework of IST (Information Society and...</Text>
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<Text textformat="02">ACKNOWLEDGEMENTS.........................................9
&#60;br&#62;FOREWORD........................................................11
&#60;br&#62;EXECUTIVE SUMMARY........................................13
&#60;br&#62;AUTHORS AND CONTRIBUTORS..........................15
&#60;br&#62;CHAPTER 1
&#60;br&#62;INTRODUCTION TO DIGITAL CINEMA AND
&#60;br&#62;SECURITY...........................................................17
&#60;br&#62;The Long Transition to Digital....................................20
&#60;br&#62;Digital and Security in the Film Industry....................37
&#60;br&#62;Goals..........................................................................45
&#60;br&#62;CHAPTER 2
&#60;br&#62;EUROPEAN CINEMA SPECIFICITY.........................47
&#60;br&#62;Introduction...............................................................47
&#60;br&#62;About European Cinema Fragmentation....................47
&#60;br&#62;American Homogeneity versus European
&#60;br&#62;Fragmentation...........................................................47
&#60;br&#62;A Pan-European Future?.............................................49
&#60;br&#62;CHAPTER 3
&#60;br&#62;FROM CELLULOID TO DIGITAL IN EUROPE .........51
&#60;br&#62;The Cinema Chain......................................................51
&#60;br&#62;The Cinema Chain by Pairs........................................53
&#60;br&#62;Pros and Cons with the Transition to Digital...............62
&#60;br&#62;New Digital Distribution Models.................................65
&#60;br&#62;CHAPTER 4
&#60;br&#62;END-TO-END EUROPEAN DIGITAL CINEMA TRUST
&#60;br&#62;MODEL................................................................69
&#60;br&#62;Introduction...............................................................70
&#60;br&#62;European Digital Cinema Model.................................78
&#60;br&#62;Digital Cinema Security System Model.......................92
&#60;br&#62;Conclusions..............................................................104
&#60;br&#62;CHAPTER 5
&#60;br&#62;DIGITAL CINEMA STANDARDS AND
&#60;br&#62;SPECIFICATIONS...............................................111
&#60;br&#62;DCI &#38; SMPTE Functional Model................................111
&#60;br&#62;DCI Security Specifications and SMPTE Standards...115
&#60;br&#62;Trust Model with DCI/SMPTE....................................154
&#60;br&#62;(Un)Completeness of DCI/SMPTE and Other Issues. .158
&#60;br&#62;CHAPTER 6
&#60;br&#62;THREAT ANALYSIS OF EUROPEAN DIGITAL CINEMA
&#60;br&#62;.........................................................................163
&#60;br&#62;Introduction.............................................................163
&#60;br&#62;Context Analysis......................................................169
&#60;br&#62;Threat Identification and Attack Trees.....................186
&#60;br&#62;Conclusion...............................................................204
&#60;br&#62;CHAPTER 7
&#60;br&#62;BEYOND DCI &#38; SMPTE: FULFILLING EUROPEAN
&#60;br&#62;NEEDS..............................................................207
&#60;br&#62;Financing and VPFs in European Context.................207
&#60;br&#62;Europe Beyond DCI &#38; SMPTE...................................213
&#60;br&#62;End-to-End Digital Cinema Security.........................218
&#60;br&#62;Watermarking and Fingerprinting............................223
&#60;br&#62;Anti-Camcording......................................................228
&#60;br&#62;DRM and Interoperability.........................................233
&#60;br&#62;Archives...................................................................235
&#60;br&#62;CHAPTER 8
&#60;br&#62;CONCLUSIONS AND RECOMMENDATIONS........237
&#60;br&#62;Top Security Priorities for European Digital Cinema.238
&#60;br&#62;Recommendations...................................................239
&#60;br&#62;REFERENCES....................................................249</Text>
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<Text language="fre">SIMILAR is a network of excellence dedicated to multimodal interfaces research and supported by the 6th Framework of the European Commission. It gathers 32 European leading institutions from the human-computer interaction and signal processing fields.</Text>
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