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<Text textformat="02" language="fre">&#60;p&#62;L'ensemble des projets initiés sous le label « Namur à l'heure allemande: 1914-1918 au quotidien » a permis de sortir de leurs tiroirs où ils sont précieusement conservés depuis longtemps, de nombreux documents inédits, de les mettre en valeur par le biais de deux expositions, d'un colloque et de cette publication.&#60;br /&#62;
Il a aussi, et c'est une autre de ses richesses, suscité la collaboration de personnes de disciplines a priori fort différentes, faisant ainsi la preuve de la complémentarité devenue inévitable des sources. Il porte, par conséquent, un regard nouveau sur cette occupation de Namur durant la première guerre mondiale.&#60;/p&#62;</Text>
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<Text language="fre">L'ensemble des projets initiés sous le label « Namur à l'heure allemande : 1914-1918 au quotidien » a permis de sortir de leurs tiroirs où ils sont précieusement conservés depuis longtemps, de nombreux documents inédits, de les mettre...</Text>
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<Text>L'ensemble des projets initiés sous le label « Namur à l'heure allemande : 1914-1918 au quotidien » a permis de sortir de leurs tiroirs où ils sont précieusement conservés depuis longtemps, de nombreux documents inédits, de les mettre en valeur par le bia</Text>
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<Text textformat="02">&#60;p&#62;Emmanuel BODART, Préface&#60;/p&#62;
&#60;p&#62;Axel TIXHON, Namur, à l'heure allemande (1914-1918). Le quotidien des Namurois&#60;/p&#62;
&#60;p&#62;&#60;strong&#62;Les fonds d&#8217;archives&#60;/strong&#62;&#60;/p&#62;
&#60;p&#62;Axel TIXHON, Les archives de Jean Schmitz, observateur privilégié de l&#8217;occupation à Namur&#60;/p&#62;
&#60;p&#62;Simon VIROUX, L&#8217;affiche : un moyen de communication populaire&#60;/p&#62;
&#60;p&#62;Emmanuel BODART, Une source méconnue de l&#8217;histoire de la Première Guerre mondiale : la collection d&#8217;imprimés réunie par Fernand Golenvaux&#60;/p&#62;
&#60;p&#62;Axel TIXHON&#60;em&#62;, L&#8217;Ami de l&#8217;Ordre&#60;/em&#62; et les archives de Victor Delvaux&#60;/p&#62;
&#60;p&#62;&#60;strong&#62;Les fonds iconographiques&#60;/strong&#62;&#60;/p&#62;
&#60;p&#62;Marie-Christine CLAES, La photographie à Namur avant la Première Guerre mondiale&#60;/p&#62;
&#60;p&#62;Marie-Christine CLAES, L&#8217;étrange itinéraire d&#8217;Ernest Delvigne, intrépide photographe amateur namurois&#60;/p&#62;
&#60;p&#62;Luc STOKART, La contre-image d&#8217;Ernest et Paul Delvigne&#60;/p&#62;
&#60;p&#62;Christine DECOCK, La maison Gilles-Ledoux et les &#60;em&#62;Archives photographiques namuroises&#60;/em&#62; : un héritage patrimonial&#60;/p&#62;
&#60;p&#62;Marie-Christine CLAES, Fernand Béguin : la place d&#8217;Armes détruite&#60;/p&#62;
&#60;p&#62;Marie-Christine CLAES, Fortuné Stainier-Hannet : la démolition de l&#8217;hôtel de ville en 1915&#60;/p&#62;
&#60;p&#62;Marie-Christine CLAES, Joseph Piron : le groupe de la &#60;em&#62;Commission for Relief&#60;/em&#62;&#60;/p&#62;
&#60;p&#62;Marie-Christine CLAES, Adolphe Dupont : le départ des troupes allemandes&#60;/p&#62;
&#60;p&#62;Christine DECOCK, Le fonds Jean Lemaire : une collection photographique inédite au Centre de Ressources historiques namuroises&#60;/p&#62;
&#60;p&#62;Marie-Christine CLAES, La maison G. Dupierreux-Dinant&#60;/p&#62;
&#60;p&#62;Marie-Christine CLAES, Les dessins de Joseph Claes et d&#8217;Alexandre Daoust : des réquisitoires parallèles&#60;/p&#62;
&#60;p&#62;Hilke ARIJS, La photographie au service du patrimoine artistique&#60;/p&#62;
&#60;p&#62;Fanny WEINQUIN, Le point de vue allemand : &#60;em&#62;Namur vor und im Weltkrieg&#60;/em&#62; (1918)&#60;/p&#62;
&#60;p&#62;Christine DECOCK, La carte postale, une propagande qui traverse les frontières&#60;/p&#62;
&#60;p&#62;Pierre LIERNEUX, L&#8217;uniforme et la photographie de la Grande Guerre à Namur&#60;/p&#62;
&#60;p&#62;&#60;strong&#62;Postface &#60;/strong&#62;&#60;/p&#62;
&#60;p&#62;Christine DECOCK, Dialogue de sources&#60;/p&#62;</Text>
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