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<BiographicalNote textformat="02" language="fre">&#60;p&#62;Fabrice Noukpakou, sociologue et spécialiste en gestion du patrimoine (UAC), conduit une recherche doctorale (LAB, UCLouvain) sur la composition de l'habitat Somba.&#60;/p&#62;</BiographicalNote> 
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<BiographicalNote textformat="02" language="fre">&#60;p&#62;Elie Pauporté, architecte (ULB) et assistant (LOCI+LAB, UCLouvain), enseigne le projet d'architecture et conduit une recherche doctorale sur la vulnérabilité des constructions en terre crue.&#60;/p&#62;</BiographicalNote> 
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<BiographicalNote textformat="02" language="fre">&#60;p&#62;Renaud Pleitinx est ingénieur civil architecte et docteur en sciences de l'ingénieur, diplômé de l'École polytechnique (EPL) de l&#8217;Université catholique de Louvain (UCLouvain). Il a tout d&#8217;abord exercé le métier d&#8217;architecte au sein de l&#8217;Atelier collectif architecture (ACA, Bruxelles). Depuis septembre 2015, il est chargé de cours à la Faculté d&#8217;architecture, d&#8217;ingénierie architecturale, d&#8217;urbanisme (LOCI) de l&#8217;UCLouvain, où il enseigne la théorie de l&#8217;architecture et le projet d&#8217;architecture.&#60;/p&#62;</BiographicalNote> 
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<Text textformat="02" language="fre">&#60;p&#62;Construits en terre crue, les Tata Somba, habitats traditionnels du peuple Somba qui réside dans l'Atacora (Bénin), réclament un entretien régulier. En vue de leur préservation, ce manuel propose un ensemble de techniques de rénovation et de réparation appuyées sur une connaissance du matériau terre et tirées de l&#8217;observation des modes de construction traditionnels.&#60;/p&#62;</Text>
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<Text language="fre">Construits en terre crue, les Tata Somba, habitats traditionnels du peuple Somba (Bénin), réclament un entretien régulier. En vue de leur préservation, ce manuel propose un ensemble de techniques de rénovation et de réparation appuyées sur une connaissance du matériau terre et tirées de l'observation des modes de construction traditionnels.</Text>
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<Text textformat="02">&#60;p&#62;PRÉFACE 9&#60;br /&#62;
INTRODUCTION 15&#60;br /&#62;
PATRIMOINE 17&#60;br /&#62;
Tata Somba 17&#60;br /&#62;
Vulnérabilités 18&#60;br /&#62;
PRÉSERVATION 20&#60;br /&#62;
Protection 20&#60;br /&#62;
Entretien et réparation 21&#60;br /&#62;
#1 CONSTRUIRE EN TERRE 23&#60;br /&#62;
MATIÈRE 25&#60;br /&#62;
Grains 26&#60;br /&#62;
Empilement et compacité 27&#60;br /&#62;
Ségrégation granulaire 29&#60;br /&#62;
Chaînes de forces 31&#60;br /&#62;
Eau 33&#60;br /&#62;
Ponts capillaires 33&#60;br /&#62;
Trois types d'eau 35&#60;br /&#62;
Argile 36&#60;br /&#62;
Argile granulométrique 36&#60;br /&#62;
Argiles minéralogiques 36&#60;br /&#62;
Oxydes métalliques 37&#60;br /&#62;
Floculation/dispersion 38&#60;br /&#62;
Thixotropie 39&#60;br /&#62;
MATÉRIAU 40&#60;br /&#62;
Sélection 40&#60;br /&#62;
Tests sensitifs 40&#60;br /&#62;
Tests de comportement 41&#60;br /&#62;
Mise en oeuvre 43&#60;br /&#62;
Consistance 43&#60;br /&#62;
Adjuvants 44&#60;br /&#62;
Techniques 46&#60;br /&#62;
#2 CONSTRUIRE UN TATA SOMBA 51&#60;br /&#62;
ÉLÉMENTS 53&#60;br /&#62;
Tourelles 53&#60;br /&#62;
Enceinte 54&#60;br /&#62;
Terrasse 55&#60;br /&#62;
Greniers 55&#60;br /&#62;
Crépi 58&#60;br /&#62;
EXÉCUTION 59&#60;br /&#62;
Planification 59&#60;br /&#62;
Maçonnerie 60&#60;br /&#62;
Charpenterie 67&#60;br /&#62;
Chape 67&#60;br /&#62;
Toiture 70&#60;br /&#62;
Poterie 71&#60;br /&#62;
Crépissage 71&#60;br /&#62;
#3 RÉNOVER UN TATA SOMBA 75&#60;br /&#62;
PATHOLOGIE 77&#60;br /&#62;
Murs 78&#60;br /&#62;
Enduits 84&#60;br /&#62;
Chapes 86&#60;br /&#62;
RÉNOVATION 86&#60;br /&#62;
Préparation 86&#60;br /&#62;
Terre à construire d'Atacora 87&#60;br /&#62;
Terre à colmater d&#8217;Atacora 88&#60;br /&#62;
Béton terre d&#8217;Atacora 89&#60;br /&#62;
Enduit terre d&#8217;Atacora 89&#60;br /&#62;
Eau de Néré 91&#60;br /&#62;
Exécution 92&#60;br /&#62;
Réparation de mur 92&#60;br /&#62;
Remontage de mur 93&#60;br /&#62;
Rebouchage des ouvertures de joints 94&#60;br /&#62;
Rebouchage de fissures 96&#60;br /&#62;
Entretien des enduits sur mur 96&#60;br /&#62;
Entretien des chapes 97&#60;br /&#62;
CONCLUSION 99&#60;br /&#62;
TRANSMISSION 101&#60;br /&#62;
Mélanges 101&#60;br /&#62;
Travaux 102&#60;br /&#62;
STIMULATION 102&#60;br /&#62;
Actualisation 102&#60;br /&#62;
Extension 103&#60;br /&#62;
TABLE DES ILLUSTRATIONS 105&#60;br /&#62;
MÉDIAGRAPHIE 107&#60;/p&#62;</Text>
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<Text language="fre">Qu'est-ce qui mérite d'être mieux connu, mieux prévu, mieux conçu dans notre habitation du monde ?</Text>
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<Text language="fre">&#60;p&#62;La collection &#60;b&#62;forma loci&#60;/b&#62; émane de la Faculté d'architecture, d'ingénierie architecturale, d&#8217;urbanisme de l&#8217;UCLouvain et du Louvain research institure for Landscape, Architecture, Built environment. De façon concise, cette Faculté est également nommée « LOCI », d&#8217;après le mot latin &#60;em&#62;loci&#60;/em&#62;, qui se traduit par « les lieux ». Le syntagme nominal forma loci signifie, quant à lui, «la forme générale d&#8217;un lieu ». &#60;/p&#62;  &#60;p&#62;Qu&#8217;est-ce qui mérite d&#8217;être mieux connu, mieux prévu, mieux conçu dans notre habitation du monde ? &#60;/p&#62;  &#60;p&#62;La collection &#60;b&#62;forma loci&#60;/b&#62; propose au réseau académique, aux praticien&#8729;es concerné&#8729;es ainsi qu&#8217;au public des amateur&#8729;trices l&#8217;état des lieux le plus aiguisé de l&#8217;enseignement et de la recherche sur « l&#8217;habitat » au sens large. &#60;/p&#62;  &#60;p&#62;La collection &#60;b&#62;forma loci &#60;/b&#62;couvre des domaines aussi variés que l&#8217;aménagement du territoire, les structures et les technologies, la théorie de l&#8217;architecture, depuis l&#8217;élaboration des fondements jusqu&#8217;à leurs mises en actes. &#60;/p&#62;  &#60;p&#62;La collection &#60;b&#62;forma loci&#60;/b&#62; s&#8217;intéresse de près aux changements qui marquent en profondeur nos lieux d&#8217;habitation et notre environnement construit : la mobilité, les ressources en voie d&#8217;épuisement, la migration, le vieillissement de la population, le réchauffement climatique, l&#8217;apport du numérique&#8230; &#60;/p&#62;  &#60;p&#62;La collection &#60;b&#62;forma loci&#60;/b&#62; est dirigée par &#60;b&#62;Jean Stillemans&#60;/b&#62;.&#60;/p&#62;</Text>
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