06 3012405004818 Ciaco scrl onixsuitesupport@onixsuite.com 20260722T0720Z eng

COM.ONIXSUITE.9782390611035 03 02 i6doc 01 SKU 101662 02 2390611036 03 9782390611035 15 9782390611035 02 01 00 BC 00 01 9.45 in 02 6.30 in 08 13.16 oz 01 24 cm 02 16 cm 08 373 gr BE 10 02 9 01 02 Fervet Opus Archéologie et histoire de Rome, de l'Italie et des provinces romaines L'Occident méditerranéen de l'Âge du Fer à la fin de l'Antiquité 01 01 Fantastic Beasts in Antiquity Looking for the monster, discovering the Human 1 B01 01 Onixsuite Contributor ID 21634 Sarah Béthune Béthune, Sarah Sarah Béthune 2 B01 01 Onixsuite Contributor ID 21635 Paolo Tomassini Tomassini, Paolo Paolo Tomassini 01 eng 00 230 03 10 HIS002000 12 HBL 12 HD 29 2012 3385 Antiquité 24 Histoire 24 Histoire de l'Antiquité 01 06 03 00 Not satisfied with what nature offered, human beings wanted to go beyond reality and invented mysterious and intriguing creatures populating their world. During Antiquity, every culture had its own strange creatures, that mixed the forms of one or more animal, plant and human species in an infinite number of more-or-less fanciful combinations. Griffins, sphinxes, mermaids, centaurs, satyrs, pygmies, werewolves, winged monsters and unspeakable hybrids, fantastic beasts abound in the imagination of many populations throughout Antiquity. Most of them continue to live, sometimes transformed, through fairy tales, literature, movies and videogames. Faced with the abundance and variety of the ancient fantastic bestiary, the questions that come to mind are: Where do fantastic beasts come from? How do they appear in different cultures? What is their history, how did they survive until now? And above all, what are fantastic beasts? This book will explore these questions through the lens of archaeology, art history, philology and philosophy. The result is a hybrid book, precisely like the fantastic animals that constitute its object, a book which offers different approaches of analysis while being aware that our means are often vain to capture these elusive figures, which ultimately are more like us than they seem. Man, like Oedipus, will often prove to be more monstrous than the Sphinx... 02 00 Where do fantastic beasts come from? How do they appear in different cultures? What is their history, how did they survive until now? And above all, what are fantastic beasts? This book will explore these questions through the lens of archaeology, art history, philology and philosophy. 03 00 Not satisfied with what nature offered, human beings wanted to go beyond reality and invented mysterious and intriguing creatures populating their world. During Antiquity, every culture had its own strange creatures, that mixed the forms of one or more animal, plant and human species in an infinite number of more-or-less fanciful combinations. Griffins, sphinxes, mermaids, centaurs, satyrs, pygmies, werewolves, winged monsters and unspeakable hybrids, fantastic beasts abound in the imagination of many populations throughout Antiquity. Most of them continue to live, sometimes transformed, through fairy tales, literature, movies and videogames. Faced with the abundance and variety of the ancient fantastic bestiary, the questions that come to mind are: Where do fantastic beasts come from? How do they appear in different cultures? What is their history, how did they survive until now? And above all, what are fantastic beasts? This book will explore these questions through the lens of archaeology, art history, philology and philosophy. The result is a hybrid book, precisely like the fantastic animals that constitute its object, a book which offers different approaches of analysis while being aware that our means are often vain to capture these elusive figures, which ultimately are more like us than they seem. Man, like Oedipus, will often prove to be more monstrous than the Sphinx... 02 00 Where do fantastic beasts come from? How do they appear in different cultures? What is their history, how did they survive until now? And above all, what are fantastic beasts? This book will explore these questions through the lens of archaeology, art history, philology and philosophy. 04 00 Table of Contents Les animaux fantastiques et où les chercher dans l'antiquité. Introduction Sarah Béthume et Paolo Tomassini 1 Fantastic Beasts in texts : naming, narration, imagination Where the Wild Things Are: Challenging the Monster in Homer and Hesiod Camila A. Zanon 11 « Celui-dont-on-ne-doit-pas-prononcer-le-nom » ('‘He-who-must-not-be-named’’). Dire l’indicible en Grèce ancienne : analyse du phénomène du tabou linguistique à propos du nom des Euménides Sarah Béthume 27 Xénophon, Deleuze et le centaure. De l’union équestre aux devenirs des corps augmentés Alexandre Blaineau 55 World’s Imagery and an Imagined World: Fantastic Creatures in Vera historia by Lucian Ilona Gorņeva 67 Werewolves in the Greco-Roman world Colin MacCormack 83 Fantastic Beasts in pictures : representation, transformation, interpretation Designed to Impress: Griffins in Aegean Bronze Age Glyptic Diana Wolf 103 Mistress of the fantastic: hybridity and monstrosity of the Πότνια θηρῶν Thea S. Wolff 123 Representations of the Sphinx on Engraved Gems: Preserver of Life or Bearer of Death? Idit Sagiv 141 Jonah and the pistrix: figurative genesis of a sea monster Cristina Cumbo 153 Fantastic Beasts in memory : reception, assimilation, reelaboration Migration of Fantastic Creatures: The Stories of the Pygmaioi and Cranes Kiwako Ogata 169 Mythical Sanctuaries of the Wizarding World: The Ancient Classical Concepts of "Animal Protection" in J.K. Rowling’s Harry Potter Universe Anna M. Mik 191 La réception des êtres fantastiques antiques au Moyen Âge. Autour du Minotaure, des (ono)centaures, hippopodes, satyres et faunes (et de quelques autres) Jacqueline Leclercq-Marx 205 List of contributors 221 16 00 Archéologie et histoire de Rome, de l'Italie et des provinces romaines L'Occident méditerranéen de l'Âge du Fer à la fin de l'Antiquité 17 00 Archéologie et histoire de Rome, de l'Italie et des provinces romaines L'Occident méditerranéen de l'Âge du Fer à la fin de l'Antiquité 01 00 03 02 01 D502 02 4268 03 2805 06 5d7bff90a0da2dbb13c4b9498aef0010 07 686343 https://i6doc.com/resources/titles/28001100339270/images/9c6947bd95ae487c81d4e19d3ed8cd6f/HIGHQ/9782390611035.jpg 17 20210219T1031Z 02 01 D502 02 190 03 125 06 ed9051d0009bbf0a77b0a9c49fca92e7 07 12237 https://i6doc.com/resources/titles/28001100339270/images/9c6947bd95ae487c81d4e19d3ed8cd6f/THUMBNAIL/9782390611035.jpg 17 20210219T1031Z 09 00 03 02 01 D502 https://i6doc.com/resources/publishers/35.jpg 10 00 03 02 01 D503 https://i6doc.com/resources/publishers/73.png 06 3052405007518 Presses universitaires de Louvain 01 01 Dilicom PULOUVAIN 06 3052405007518 Presses universitaires de Louvain 01 Presses universitaires de Louvain http://pul.uclouvain.be/ Louvain-la-Neuve BE 04 01 20210218 11 20210218 02 WORLD 02 01 GCOI 28001100339270 06 03 9782390611042 WORLD 04 03 06 3012405004818 CIACO - DUC 33 www.i6doc.com http://www.i6doc.com 01 2 20 1 02 00 02 02 STD 02 28.50 01 R 6.00 26.89 1.61 EUR