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<TitleText textcase="01">Les stèles puniques de Carthage au musée du Louvre</TitleText> 
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<Text textformat="02" language="fre">&#60;p&#62;Au-delà de leur intérêt historique, ces stèles sont empreintes d'une histoire complexe qui reflète de manière éclairante les pratiques de l&#8217;archéologie à la fin du XIXe siècle. La constitution de toute la collection est retracée : de la découverte de milliers de fragments à la réalisation d&#8217;estampages des inscriptions, puis de l&#8217;expédition des &#339;uvres jusqu&#8217;à leur arrivée en France et leur exposition au public, ou encore leur dépôt dans des réserves et magasins de différents musées au fil des décennies.&#60;/p&#62;
&#60;p&#62;Le musée du Louvre a mis en place en 2015 un programme de recherche pluridisciplinaire. L&#8217;étude et la restauration de l&#8217;ensemble des stèles, l&#8217;analyse des matériaux, la couverture photographique complète, la reconsidération des inscriptions et des fragments, qui n&#8217;avaient pas tous été inventoriés, permettent ainsi de présenter un catalogue exhaustif des points de vue historiographique, archéologique, épigraphique, iconographique, stylistique et technique.&#60;/p&#62;
&#60;p&#62;Conservatrice en chef au département des Antiquités orientales et docteur en histoire de l&#8217;art antique, Hélène Le Meaux a assuré le commissariat de l&#8217;exposition « La Méditerranée des Phéniciens de Tyr à Carthage » (Institut du monde arabe, 2007-2008) et la publication de différents ouvrages parmi lesquels Le Sarcophage d&#8217;Eshmunazor (2019) et Le Cippe de Malte (2024).&#60;/p&#62;</Text>
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<Text language="fre">Le département des Antiquités orientales du musée du Louvre conserve mille trois cent quatre-vingt-trois stèles puniques votives de Carthage dédiées aux divinités Tanit et Baal Hammon. </Text>
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<Text textformat="02">&#60;p&#62;Auteurs&#60;/p&#62;
&#60;p&#62;Préface&#60;/p&#62;
&#60;p&#62;Avant-propos&#60;/p&#62;
&#60;p&#62;Remerciements&#60;/p&#62;
&#60;p&#62;I. Introduction (Hélène Le Meaux)&#60;/p&#62;
&#60;p&#62;II. Histoire de la collection (Hélène Le Meaux)&#60;/p&#62;
&#60;p&#62;III. Approche archéologique et contextuelle (Hélène Le Meaux)&#60;/p&#62;
&#60;p&#62;IV. Étude épigraphique (Stevens Bernardin, François Bron)&#60;/p&#62;
&#60;p&#62;V. Étude iconographique et réflexions iconologiques (Hélène Le Meaux, Stevens Bernardin)&#60;/p&#62;
&#60;p&#62;VI. Étude matérielle (Hélène Le Meaux, Philippe Bromblet, Béatrice Dubarry Jallet, Anne Courcelle,&#60;br /&#62;
Anne Liégey)&#60;/p&#62;
&#60;p&#62;VII. Conclusion (Hélène Le Meaux)&#60;/p&#62;
&#60;p&#62;&#60;strong&#62;CATALOGUE (Hélène Le Meaux, Stevens Bernardin, Salima Amann)&#60;/strong&#62;&#60;br /&#62;
Mission d'Évariste Pricot de Sainte-Marie &#8212; cat.&#8239;1 à 817&#60;br /&#62;
Mission de Salomon Reinach et Ernest Babelon &#8212; cat.&#8239;818 à 1091&#60;br /&#62;
Mission d'Évariste Pricot de Sainte-Marie ou de Salomon Reinach et Ernest Babelon &#8212; cat.&#8239;1092 à 1241&#60;br /&#62;
Mission d&#8217;Antoine Héron de Villefosse &#8212; cat.&#8239;1242 à 1250&#60;br /&#62;
Collection du comte d&#8217;Hérisson &#8212; cat.&#8239;1251 à 1328&#60;br /&#62;
Collection du palais de la Manouba &#8212; cat.&#8239;1329 à 1340&#60;br /&#62;
Collection du commandant Marchant &#8212; cat.&#8239;1341 à 1378&#60;br /&#62;
Autres collections &#8212; cat.&#8239;1379 à 1383&#60;/p&#62;
&#60;p&#62;&#60;strong&#62;Annexes&#60;/strong&#62;&#60;br /&#62;
Tables de concordance&#60;br /&#62;
Sainte-Marie&#60;br /&#62;
Babelon et Reinach&#60;br /&#62;
Sainte-Marie ou Babelon et Reinach&#60;br /&#62;
Héron de Villefosse&#60;br /&#62;
Hérisson&#60;br /&#62;
Marchant&#60;br /&#62;
Index épigraphique&#60;br /&#62;
Fréquence des motifs iconographiques&#60;br /&#62;
Bibliographie&#60;br /&#62;
Archives&#60;/p&#62;</Text>
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